View Jack Faragasso’s artworks on artnet. Learn about the artist and find an in- depth biography, exhibitions, original artworks, the latest news, and sold auction . Jack Faragasso, Artist, Author, Instructor. 78 likes · 1 talking about this. Jack Faragasso is a native New Yorker. He is known nationally and. Mastering Drawing the Human Figure From Life, Memory, Imagination. Jack Faragasso. from: $ The student’s guide to painting. Jack Faragasso.
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Mastering Drawing the Human Figure From Life, Memory, Imagination
Thanks for telling us about the problem. Return to Book Page. This book was written to foster the creative spirit of the artist and to aid in the development and the continuation of realistic representational art. It is for all who love to draw the human form.
It is for those who have never drawn a line, for those who are students who can draw to a certain degree, and for those professional artists who are proficient in drawing. This This book was written to foster the creative spirit of the artist and to aid in the development and the continuation of realistic representational art.
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Although there are quite a few good points mentioned in the text of this book, I cannot say the same thing about the drawings. Especially chapter 10 onward! They are certainly NOT “simplified”!
If anything, they are even more complicated and in most cases, not in an accurate way! One can use them as an example to understand what the author is talking about, but it’s a big NO-NO to use as reference!
The author keeps mentioning that this book is an structural approach and not literal, but the way I Although there are quite a few good points mentioned in the text of this book, I cannot say the same thing about the drawings. The author keeps mentioning that this book is an structural approach and not literal, but the way I see it, these “structural” approaches only add more complication and don’t solve anything!
Figure drawing is a hard subject on its own! There’s no need to make it even more complicated by using ‘rules’ and so-called ‘guidelines’ not to be confused with guiding lines used to construct the figure in place that will never take the place of correct observation and confidence in executing the lines! Talking of lines, in my opinion, they are not strong enough in the drawings shown in this book.
The portraits look mediocre too and lack proper structure and contrast.
Jack Faragasso –
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